July 10, 2018, New York, NY - Fifty human rights advocates held a vibrant, musical protest on the sidewalk just outside New York’s Joyce Theater to oppose the opening night performance by the Batsheva Dance Company, a leader in helping the Israeli government to whitewash its violent repression of the Palestinian people (view photos).
As Palestinians mark 70 years of dispossession, Batsheva–The Young Ensemble and the Joyce Theater will be celebrating Israel’s 70th anniversary with “Israel Dance Fest 70,” sponsored by the Office of Cultural Affairs, Consulate General of Israel in New York.
Renzer, who co-founded Creative Community for Peace — an initiative involving power players in the arts — has been instrumental in bringing artists like Elton John, Boy George, Cyndi Lauper and Alicia Keyes to Israel for shows as well, as meetings with Israeli politicians. Those celebrities also learn about causes like LGBT rights in the Holy Land.
October 25, 2017, New York, NY - Forty-five New York human rights advocates protested outside a performance by the Israel Philharmonic Orchestra (IPO) at Carnegie Hall this Wednesday evening.The IPO is a self-proclaimed cultural ambassador representing the state of Israel, helping to convey a positive image of Israel and divert attention from its human rights abuses, as part of the “Brand Israel” initiative.
Standing fifty feet from Carnegie Hall’s entrance, the protesters held signs, chanted and sang to tunes played by a radical marching band, capturing the attention of attendees and passersby. A small group of protesters from the anti-Arab hate group the Jewish Defense League came out to show support for the IPO, waving Israeli flags and displaying a sign that said “Level Gaza,” in keeping with Israel’s violent, militaristic policies.
The Orchestra is not an apolitical cultural institution. At this evening’s protest, Thai classical musician Sainatee Suárez said, “Let’s not pretend that music is a single, universal language (it is not) that magically generates rainbow bridges surpassing social and political and economic entanglements --- rather, let's directly confront the Israeli state's violent project of appropriation and erasure using the IPO as its instrument.”